From classical masterpieces, contemporary pieces, and original progressive rock, the full range of Pittsburgh’s Beo String Quartet is impossible to label. Which is a very good thing, as far as I’m concerned.

The 6-song mélange of programmed drums, wild guitars fancy, chorused synth strings, various double-tracked harmony vocals all commenting on where we are now is a heady mix to be sure. As Dsfečo says of the conceptual piece “I think I’m going for some sort of poetic encounter within the hidden parts of our culture’s soul—but that could be purepresumption. All I know is, I’ve tried to be as honest as possible in putting what I see into these songs, as well as composing music that tries something a little different in its structure.”