As much hitting is us with the heavy yet commercial title track from his latest album, Barre ran through lots of blues (interestingly enough, switching from electric guitar to mandolin-an instrument Barre manned often through the many pastoral passages of Tull music-during the most blues tune of the night, “Crossroads”) and lots of Tull. As Mr. Barre told this second-show-of-the-night crowd, he was changing things up from the first set and I watched as he called out tunes to the band and they rolled through “Smoke Stack Lightening” and his sly cover of “Eleanor Rigby” as well as Tull classics like a very heavy “Sweet Dreams,” his special send-up of “Skating Away (On The Thin Ice Of A New Day”) “Minstrel In The Gallery early on and my personal favorite of the night, Barre’s 8-minute read of the middle of the Tull “concept” piece “Thick As A Brick.”Without Ian Anderson’s leading flute through this stuff I really came to appreciate Barre’s guitar parts in these classic tunes…as well delighting in him taking on those lead flute parts.